I'm enjoying messing about with scale and perspective in composition because it feels like a learning curve for me, the more I do the stronger the visuals in my mind get. Roughing is always really useful to me in terms of refining an idea down to its core principles and trying to capitalise on them. Ive started moving away from JUST character based illustration in my research, and illustrators who make use of sprawling landscapes (like Moebius, above) and make the environment feel like a character within the image, rather than an afterthought background. This is something I'm trying to understand through my roughs as I think it really makes for compelling compositions with multiple visual levels.
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